"Huun-Huur-Tu is making the inevitable move toward globalization that comes with worldwide touring and collaboration with foreign musicians, but so far they have managed to retain their own unique identity and remain firmly rooted in Tuvan traditional sounds. By now the novel aspects of multi-tonal throat singing do not need to be featured to help sell their work. Compared to their previous albums there is a richer harmonic (in the traditional Western sense) texture, and such Tuvan anomalies as the harp, Scottish pipes, and synthesizer make their appearance. However, they remain unobtrusively in the background (the synthesizer is used to generate a virtual wind storm), and one gets the sense that the quartet has a mature, rooted sense of where they want to go with their music. The highlight for me, though, are the excerpts of field recordings made by ethnomusicologist Ted Levin (Smithsonian Folkways's Tuva, Among The Spirits, reviewed below) of throat-singing while on horseback. The music, restored to its physical context, suddenly makes so much more sense."

01. Ezir-Kara
02. Anatoli on Horseback, singing
03. Deke-Jo
04. Xöömeyimny Kagbas-la Men (I Will Not Abandon My Xöömei)
05. Avam Churtu Dugayimny (Dugai, The Land of My Mother)
06. Dyngyldai
07. Highland Tune
08. Hayang (name of a hunter)
09. Barlyk River
10. Tarlaashkyn
11. Interlude: Sayan playing xomuz with water in his mouth
12. Sarala
13. Sagly Khadyn Turu-la Boor (It's Probably Windy on Sagly Steppe)
14. Ezertep-le Bereyin Be (Do You Want Me to Saddle You?)
15. Live recording: Anatoli and Kaigal-ool riding horses in Eleges while singing

Sayan Bapa (vocals, doshpuluur, igil, guitar)
Kaigal-ool Khovalyg (vocals, igil, doshpuluur)
Andrey Mongush (vocals, byzaanchi, khomuz, amarga)
Alexei Saryglar (vocals, percussion)


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