Showing posts with label Kalyi Jag. Show all posts
Showing posts with label Kalyi Jag. Show all posts


Kalyi Jag, Black Fire in English, play authentic Gypsy music and have been doing so for almost 20 years. They are recognised as one of the foremost Gypsy folk ensembles in Eastern Europe today. The instruments they use are guitar, jug, board and oral improvisations.
Traditional Gypsy music sung in Gypsy and Hungarian language.
Originally released in 1994.

01. Where I Come and Go - Slow song from Szatmár County
02. The Slim Woman is Clever - Rolled song from North-Eastern Hungary
03. Who Love Each Other - Rolled song
04. I am Told to Be - Slow song
05. Once I Saw a Beautiful Woman - Rolled song
06. Beds Made by Whole World - Oral bass improvisations with accompanying words
07. The Jilted Husband - Ballad
08. Ketri, Ketri - Dance song in Balcan Gypsy style
09. Luma Maj - Ballad in Russian Gypsy style
10. Flowery Ditch - Slow song from Lovár
11. The Heart - Whole Love - Dance song
12. Rolled Song of "Filtus" - Rolled song from Baks
13. Luck For You - Rolled song from North-Eastern Hungary
14. My Moustache Stands Out - Stick dance tune
15. The Merriness - Rolled song
16. The lads of Szatmár County - Selection of Gypsy dance tunes from Szatmár County

VARGA Gusztáv - whistle, voice, guitar, spoons, oral bass, water can
KÜNSTLER Ágnes - voice, snapping with fingers
BALOGH József - voice, guitar, tambura-mandolin
NAGY József - oral bass, water can, spoons

Link

pass: bluesmen-worldmusic.blogspot.com



"Listening to “Gipsy Love” (i.e., “Cigányszerelem”) by Kalyi Jag ... one begins to understand how the Roma managed to survive for centuries without a country of their own: through passionate expression of their music. Transcending time and politics, music expressed the Roma way of life like nothing else could, since they traveled from place to place. Kalyi Jag brings to life the full Gipsy spirit: they sing of cruel fate, lost love, poverty, infidelity and jealousy. They sing about a simple way of life: selling horses at the fair and the thoughts and feelings of being a knife-grinder, who wanders from village to village plying his trade. They sing about a son who abandons the straight and narrow life, breaking his mother’s heart, and about the son who brings pleasure to his young wife by playing music on his guitar. The rhythms are universally Gipsy and Balkan-like, they do not resemble any of the Hungarian popular music know as “nota” which is often played by Gipsy bands in restaurants in Hungary. Although Kalyi Jag uses a few modern instruments, like the guitar, they provide traditional percussion using hollow milk cans and other common utensils, such as spoons or vocalization. The harmonies are typical Roma .. they are hauntingly familiar to anyone who enjoys Balkan music, because so many ”traditional” Balkan sounds incorporate them into their village music. This is understandable as the Gypsies have wandered into and out of all the countries in Eastern Europe ... some settled down into ghettos in the cities or segregated sections of villages, maintaining their unique identity and way of life for centuries.

Most gypsies today, can be categorized by where they live: either city-dwellers (urban gypsies) or rural dwellers (village gypsies). The time of wandering in caravans, over mountains and settling in the valley for an overnight stay, has for the most part been abandoned. For the past 100 years or so, the better known Gipsy bands have originated in the cities where their talents were utilized in restaurants and hotels, playing music for the clientele. The music which they played was usually the popular music of the day or national music of the country, with violin as the primary instrument In Hungary, the cimbalom (a type of hammered dulcimer, played with a mallet) has been almost universally identified with Gipsy music. Although segregation has occurred, most often due to discrimination and often has a
negative connotation, it helped foster and maintain the Gipsy way of life. On many levels, the gypsies were viewed as ‘outsiders’ yet this fostered their identify, cohesion, and community spirit in a way nothing else could. In the past, music was the only way to maintain the freedom of the Gipsy spirit and express universal sorrow and melancholy in the midst of harsh circumstances. Today, the younger Gipsy musicians, although remaining true to their roots, are often college-educated. Kalman Balogh, the world-renown young Gipsy cimbalom player and some members of Kalyi Jag, Jozsef Balogh and his wife, Agnes Balogh-Kunstler, have
studied music formally. They remain true to the rural Gipsy music. The rural gypsies were known for creating primarily sorrowful and melancholic songs. They also used vocalization, such as, repetitive made-up sounds or created rhythms, by slapping ones hand on the thighs, or stomping on the floor. Emotional extremes are the core basis of the origin of these sounds and the music itself. Gypsies can express, like nobody else on earth (except perhaps for African-Americans, i.e., Blacks, who sing the blues) the pure love of life despite pain and sorrow. Kalyi Jag expresses the eternal yin and yang cycles of life, love and hate, happiness and sadness, hope and frustration as no other Gipsy group has done before. In addition, they compose and create songs and music reflective of their roots. The compositions are original and new ... but the traditional sound they create is as old as the Gipsy culture itself. “Gipsy Szerelem“ will live up to your highest expectations of what good music should sound like. It is a treasure-chest of music whose roots go very deep ... the expression of the eternal opposites of life provides a universal appeal for people who have eclectic tastes in music."

Erika Borsos

01 - Black Lover
02 - Bring Me My God
03 - My Guitar
04 - My Little Girl
05 - This Boy Is Cunning
06 - The Knife Grinder
07 - The Mother Is Cry
08 - Let's Go Dancing
09 - My Little Worn Wagon
10 - The Girl Whit Golden Teeth
11 - Up Mother
12 - With My Wife
13 - I Am Not Happy
14 - Wake Up Girl
15 - I Remember Bulgaria
16 - You Are My Lover
17 - Good World
18 - In The Fair

Gusztáv Varga - voice, guitar
Ágnes Künstler - voice
József Balogh - voice, tambura, guitar, spoon
József Nagy - water can, oral bass

Link

pass: bluesmen-worldmusic.blogspot.com




1. She has a white dress on
Rolled song from Baks
02. I have still a long way to go
Slow song from Nyírvasvári
03. My trousers are buttoned all along
Rolled song from Békés county
04. Lina
Ballad from Mezõtúr
05. Oh, my God, who is there
Rolled dance song
06. There are five potatoes in the pot
Rolled song from Békés county
07. Get up, Gypsies
Ballad from Békés county
08. Shieve-makers do not drink wine
Rolled song in Rumanian style
09. My Heart Is Heavy
Slow song from Szatmár county
10. Give, woman, my stick to me
Gypsy dance song from Rumania
11. Oral bass improvisations
12. Like birds
Ballad in Balcan Gypsy style
13. The devil has hidden in my stick
Stick dance tune from Kántorjánosi
14. I would eat salten onions
Dance song of the trough-maker (Boyash) Gypsies
15. Over there under a little tree
Gypsy slow song from Transylvania
16. Poor Joska
Rolled song from Szatmár county
17. Song for Mercy
Based on a Gypsy folk legend of Boyash Gypsies from Zala county.

Ágnes Künstler - voice, snapping with fingers
József Nagy - oral bass, water can
József Balogh - oral bass, voice, guitar, spoons, tambura, whistle
Gusztáv Varga - voice, guitar, oral bass

With:
Norbert Bangó - double-bass,
János Vass – viola

Link



Kalyi Jag, Black Fire in English, play authentic Gypsy music and have been doing so for over 20 years. They are recognised as one of the foremost Gypsy folk ensembles in Eastern Europe today. The instruments they use are guitar, jug, board and oral improvisations. Traditional Gypsy music sung in Gypsy and Hungarian language.

01. Jaj istenem, az életem - Ay, God, my life
02. Szomorú szerelmes - Sad lover
03. A boszorkány - The witch
04. De megvert az Isten - Ay, God how scourged me
05. Leányom, Szabina -My daughter, Sabina
06. Ne vágd magad, kisleány - Don't make me angry, girl
07. Táncos Jani - Prancing Jani
08. Csak egyedül járok - I live alone
09. Az álom - The dream
10. A szép lány -The nice girl
11. Kéretés - Proposal
12. Bolond anyám - Foolish mother
13. Éjszemű lányom, Ági - My daughter, Ági with nightblack eyes
14. Táncos fiú - Dancing lad
15 Az éjszakai lányok - The night girls

Gusztáv Varga - voice, guitar
Ágnes Künstler - voice
József Balogh - voice, tambura, guitar, spoon
József Nagy - water can, oral bass

Guests:
Mária Balogh, Tünde Balogh, Anikó Balogh - voices
Ternipe Group on tracks 5 and 10
Pál Havasréti - double-bass

Link



Probably the first alum release by an authentic Gypsy band!
Sung in Gypsy and Hungarian.
Kalyi Jag, Black Fire in English, play authentic Gypsy music and have been doing so for over 20 years. They are recognised as one of the foremost Gypsy folk ensembles in Eastern Europe today. The instruments they use are guitar, jug, board and oral improvisations.
Originally released in 1987.

01. Slow song from Szatmár
What're you looking for, brother
02. Rolled song from Szatmár
Make way, children
03. Slow rolled song from Szatmár
Our daughter-in-law was fair
04. Slow song from Szekszárd
May God be lucky
05. Rolled songs from Szekszárd
a) Follow me, girl
b) I've had a new cart made
06. Cavity (oral bass) improvisations
07. Rolled song from Szabolcs
The band played till the morning
08. Transdanubian slow song
What do I need that much money for
09. Rumanian Gypsy dance from the Balkans
"Rumelaj"
10. Dance song from Nagyecsed
For forty-two nights
11. Fanny
12. Slow song from Szatmár
What's my young life
13. Rolled song from Nyírbátor
14. Stick dance tune from Szatmár
As many girls there were
15. Rolled song from Nagyecsed (1'37")
The duck goes in the water
16. Transdanubian slow song
Mother, mother
17. Rolled song from Nyírvasvári
Her soul is
18. Slow song from Nyírvasvári
Why should my mother die
19. Rolled dance song
I have a pipe and a hat

Musicians:
Ágnes Künstler - voice, snapping with fingers
József Balogh - oral bass, voice, guitar, spoons, tambura, whistle
Gusztáv Varga - whistle, voice, guitar, spoons, oral bass, dance
Béla Balogh - voice, water can, oral bass, dance

Link

pass: bluesmen-worldmusic.blogspot.com

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