Bluesmen's World(Music)

"Ah...where to begin? How about if I use one of their own quotes "Six Yanks dedicated to the preservation of fine drikin', fightin', courtin' and sailin' songs of Ireland and Scotland". That should just about say it all and yet there is much more to tell! There is so much diverse talent in these 6 musicians it's almost unfair to all the rest. They have singing/songwriting ability and are capable of playing just about any instrument known to man including bagpipes, fiddles, banjos, whistles, accordion, violin, bodhran, haggis (I have no clue what a haggis is) my favorite mandolins and of course all the usual everyday type of instruments that the rest of us struggle with. Most of all though they are just having a damn good time doing what they're doing and it shows whether in their songs or in their stage performance. This is old hat for some of them including singer Kyf Brewer who has been in the music business for a few years now.
He started back in the 80's with the Ravyns (the good old days!) then moved on to Company of Wolves and now he is again enjoying great success with Barleyjuice. Yes, there is still some time to work on some side projects for those of you who have followed his career. Keith Swanson or Swanny,another one of the founding members of the band was Pipe Major of the Loch Rannoch Pipe Band before starting up Barleyjuice a year later. I could go on and on with the individual talent in this band but the truth is if you throw these six guys in a pot, stir it round a bit, you have gold.

They have already done 3 albums starting in 2003 with "One Shilling" followed by "Another Round" and finally giving us "Six Yanks" in 2006.

So put on your kilts...don't tell me you don't own one! Alright you might have to find one...look on the Internet under "kilts" and get down to see the band. I promise you the time of your life, but after all the whiskey and beer I won't promise you that you'll remember it. Just an excuse to do it again!"

01. Misty Mornings Miss'd
02. Pretty Wild Bride
03. Modern Pirates
04. Love With A Priest
05. Real Old Mountain Dew
06. Beauty And The Rum
07. More Pipes
08. Tartan Is The Colour Of My True Loves Hair
09. Tim Finegans Wake
10. Dear Ould Ireland
11. Whiskey
12. A Bands A Band For A That

Kyf Brewer (vocals, guitar, accordion, harmonica, bagpipes, congas, bodhran, tin whistle)
Keith Swanson (vocals, guitar, bouzouki, mandolin, bagpipes, tin whistle, bass)
Billy Dominick (fiddle, vocals, violin)
Jimmy Carbomb (whistle, banjo)
Eric Worthington (bass, backing vocals)
Gregor "The Shredder" Schroeder (drums, vocals)

Link

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The Dreadnoughts are Vancouver's biggest, baddest, drunkest, punkest celtic band. One part roaring sea shanty, one part haunting Irish melody, and a solid chaser of gut-crunching street punk.
The Dreadnoughts: One part roaring sea shanty, one part haunting Irish melody, and a solid chaser of gut-crunching street punk. This ragtag group of drunken misfits stays true to the ancient ballads and bawlers that once drove sailors around the world, all the while smashing out modern punk with a fury and intensity that is unmatched in their home city of Vancouver, BC.

Formed in 2006 over pints of cheap beer at East Vancouver’s notoriously violent Ivanhoe Hotel, the Dreadnoughts cut their teeth in the roughest dive bars in the city. They started by opening for (and earning the praise of) celtic-punk grandfathers The Real MacKenzies, and since then have never looked back. Hauling a fiddle, an accordion, a mandolin, a tin whistle, guitars and drums into every venue that would have them, they quickly became known for their powerful, chaotic live performances. In three short years they have slowly but surely joined the ranks of Vancouver’s punk rock heroes.

The Dreadnoughts are nothing new to all of us in the Celtic Rock… but to many this band has remained underground until we started getting in requests for their music lately here from around the world. “Legends Never Die” is The Dreadnoughts first release, but this is not a CD made by amateurs… these musicians are by far more talented than some of their peers and other media give them credit for. To grasp the sound of this diverse group could be summed up as a mixture of Great Big Sea, Circle J, Finn’s Fury, Blaggards, and even some Flogging Molly mixed in between. “Legends Never Die” could have been in our Top CDs of the year for 2007… if only just they would have got it to us by then. Pick this one up today if you are looking for a little Sea Shanty, Celtic Trad Jigs, Celtic ROCK, and a little punk added to the mix. This is the next Celtic Rock band to watch for years to come! Tracks of interest: “Fire Marshall Willy”, “Mary the One Eyed Prostitute….”, “Sons of Murphy”, and “Roll the Woodpile Down”.

John B. www.paddyrock.com

01. Old Maui
02. Katie, Bar The Door
03. Fire Marshall Willy
04. Antarctica
05. Leonard Cohen
06. Mary The One-Eyed Prostitute
07. A Rambler's Life
08. Sons of Murphy
09. Elizabeth
10. Roll The Woodpile Down
11. The Dreadnought

The Dread Pirate Druzil: Mandolin, Tin Whistle, Banjo, Skin Flute
Seamus O'Flanahan: Fiddle, Accordion
Uncle Touchy: Guitar, Shouting, Vomiting
Stupid Swedish Bastard: Drums, Flatulence
Squid Vicious: Bass, Intimidation
Cockface: God, Merch, Sex

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In December 1970, on the Feast of Saint Jean, three young men of that first name performed together at a folk festival in Brittany, a province in Western-most France. The audience was dazzled by their energetic treatment of Breton and other Celtic styles and knack for close-harmony singing. Jean Chocun, Jean-Louis Jossic and Jean-Paul Corbineau were dubbed Tri Yann An Naoned ("Three Jeans From Nantes" in Breton) and quickly became regional favorites. As time went on, Tri Yann morphed from an all-acoustic trio into an eight-piece ensemble capable of integrating unplugged traditions, medieval balladry and rollicking folk-rock into a empowering statement of Breton pride.

The band's homeland, Brittany (Bretagne in French, Breizh in Breton), is one of the original six Celtic nations. Boasting a magnificent coastline and a long and colorful maritime history, Brittany has been host to a significant Celtic presence as far back as the 5th century. The natives have been actively seeking to secede from France since 1532, when their last autonomously ruling duchess married a French king. But modern Bretons, despite centuries of repression, have successfully reclaimed their native tongue and brought ancient folkways more-or-less intact into the present. The worldwide '70s folk revival that galvanized musicians in England, the U.S.A. and Ireland also made major landfall here, sending droves of young song collectors fanning out into the countryside, searching for living repositories of their heritage. Thanks to harpist Alan Stivell and politically galvanized poet-singer Giles Servat, along with Tri Yann and other pioneering bands, fest-noz (night festival) dances, which are descended from harvest celebrations, have once again become commonplace while several record labels have assembled extensive catalogues of local music. A profound sense of shared identity has been aroused and the Breton people are a force to be reckoned with.

Why Tri Yann has such a low profile outside of Brittany and the rest of France, where the group has long since garnered a devoted following, remains a mystery. The band's sound, which fuses Breton bagpipes and bombardes (a member of the oboe/shawm family) and medieval instruments onto a framework of powerhouse rock, is remarkably accessible. Plus, the group's spectacularly staged-and-costumed concerts routinely fill entire stadiums while its gold-and platinum-selling albums provide a timeline for the development of Breton music over more than three decades. Suite Gallaise (1974), which explores songs from the three bandleaders' native Pays Gallo where French is commonly spoken, is a lively example of the group's early acoustic sound, although some tracks are already leaning toward folk-rock. An Heol a Zo Glaz (The Sun Is Green, 1981) is a flawless concept work, ranging from a militantly pacifist ecological cantata sung entirely in Breton to "Si Mort a Mors," an Irish-inspired ballad about the last Duchess of Brittany that is one of the band's signature pieces. Cafe du Bon Coin (1983) draws heavily on Irish material while Portraits (1995) constitutes a musical gallery of personalities the band is intrigued by, from ancient times to the present.

01. Marie-Camille Lehuédé
02. Madeleine Bernard
03. Gerry Adams
04. Arthur Plantagenest
05. Goulven Salaün
06. Olivier Herry
07. Brian Boru
08. Alodda
09. Anne de Bretagne
10. Guillaume Seznec - le voyage
11. Guillaume Seznec - le proccs
12. Guillaume Seznec - l'adieu
13. Guillaume Seznec - le bagne
14. Guillaume Seznec - la délivrance
15. Seznec est innocent !

Jean Chocun (lead vocal)
Jean-Paul Corbineau (lead vocal)
Jean-Louis Jossic (lead vocal, bombarde, chalémie, psaltérion, cromor)
Gérard Goron (vocaux, batterie, percussions, mandoloncelle)
Louis-Marie Séveno (vocaux, basse, violon, rebec, dulcimer électrique,)
Jean-Luc Chevalier (guitares acoustique et électrique)
Christophe Le Helley (vocaux, veuze, flutes médiévales, flute a bec, tin)

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