"Musicians from Bulgaria, Spain, Ireland and the UK formed the group. to provide an outlet for their shared love of the musical treasures of Eastern Europe. The band ’s repertoire includes sacred and profane music from the Gypsy and Jewish communities of Romania, Bulgaria and Poland. Their sound is an effervescent mix of cheery accordions, lilting violins and driving bass paired with Bulgarian gadulkas (lutes), clarinets and percussion. The band has been a sensation in Spain, where they are based, and with Transilvania Express, their debut album, they are set to wow American fans with Gypsy music.

This is a respectable debut from a cosmopolitan group of musicians. The four players who make up the core of. come from Bulgaria, Ireland, England, and Spain, and their approach to Balkan music reflects this multi-cultural make-up. Fiddler Colum Pettit from Cork could fool anyone into believing he grew up in the Balkans with his wild Gypsy flair. Londoner Jon Davison’s accordion playing has the pulsating swirl of a blender set on puree. Bulgarian Ivan Dimitrov easily handles the gadulka, a 13-stringed fiddle that was originally used to accompany dancing bears. Spaniard Manolo Lopez has a muscular sense of rhythm on double bass.

They mix horos, Irish reels, freylakhs, and love songs as if the genres have always gone together. The arrangements are competent and functional without being flashy. Though all the musicians and their guests are more than technically proficient, they do not let technique get in the way of the spirit of the music. The ensemble playing is just messy enough to remind you that this is, after all, party music. Mihail Bilnikov contributes some fine clarinet playing and Aziz Khodari’s percussion is crisp and driving.

The lengthy (over ten-minute) medley entitled simply “Mary” runs through a slow 3/8 klezmer wedding hora, a faster Rumanian hora with some improvisatory Belgian and Celtic stuff thrown into it, and then ends with a rousing 7/8 version of the reel “Fairheaded Mary.” It all flows organically, with nothing sounding pasted-on. “Sirba (Serb)” is a sly little Rumanian melody that builds to a fever pitch, threatens to fall apart in the middle, and then rallies for a big finish. Tension and interest are maintained through the tune’s nine-plus minutes by frequent key, meter, and tempo changes.

While there are no real surprises on this disc from the standpoints of instrumentation or arrangement, Transilvania Express has all the good-natured jamming that you would expect from a collection of traditional Balkan music. Throw in the Celtic element, and you’ve got something even more fun."

01. - Horo #1
02. - Manele
03. - Mary
04. - Momneele
05. - Horo #2
06. - Sirba
07. - Grancharsko Horo
08. - Galitzyaner Tanz
09. - Groovski Ritmi

part 1.
part 2.


alonsii said...

I know this people they live in Barcelona, and Columm played in some celtic bands from the city. It's very nice to find them here

I'm a Great fan of your blog.

Bluesmen said...

Thank you.
I like your blog very much... :)))

Anonymous said...

Part 2 seems to be broken....

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